The New Laokoon (Part 8)
Our previous post concluded Babbitt’s treatment of the neo-classical confusion of the arts; with this post we begin his treatment of the romantic confusion of the arts.
Our previous post concluded Babbitt’s treatment of the neo-classical confusion of the arts; with this post we begin his treatment of the romantic confusion of the arts.
I am happy to present the seventh post of Irving Babbitt’s book “The New Laokoon,” an Essay on the Confusion of the Arts, published in 1910.
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