The New Laokoon (Part 17)
(Pictured: Victor Hugo.) I am happy to present the seventeenth post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the...
(Pictured: Victor Hugo.) I am happy to present the seventeenth post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the...
(Pictured: Alfred de Vigny.) I am happy to present the fifth post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and...
(Pictured: Pindar.) I am happy to present the first post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and hyperaesthetic, by...
(Pictured: George Sand.) I am happy to present the third and concluding post of Chapter VI of Rousseau and Romanticism, “Romantic Love,” in which Irving Babbitt shows that the romantic lover’s “ever-fleeting” object of...
(Pictured: Alfred de Musset.) I am happy to present the sixth and final post of Chapter V, “Romantic Morality: The Real,” in which Irving Babbitt addresses the descent of the romantics from altruistic idealism...
(Pictured: Denis Diderot.) I am happy to present the second post of Chapter IV of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced to perhaps...
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