Aeschylus (Part 1)
(Pictured: Aeschylus.) The following is the Introduction written by P. E. More for his translation of the Prometheus Bound of Aeschylus, published in 1899. We are therefore returning to Poetry and the Classical Tradition...
(Pictured: Aeschylus.) The following is the Introduction written by P. E. More for his translation of the Prometheus Bound of Aeschylus, published in 1899. We are therefore returning to Poetry and the Classical Tradition...
(Pictured: James Joyce.) We herewith present the fourth and penultimate post of P. E. More’s essay, “James Joyce,” the fourth of nine essays that make up More’s book On Being Human. Paul Elmer More...
(Pictured: Irving Babbitt.) I am happy to present the sixth and final post of the final chapter of Rousseau and Romanticism, “The Present Outlook,” in which Irving Babbitt concludes that, “[m]an realizes [the] immensity...
(Pictured: Confucius.) I am happy to present the fifth post of the final chapter of Rousseau and Romanticism, “The Present Outlook,” in which Irving Babbitt concludes that, “[m]an realizes [the] immensity of his being...
I am happy to present the fourth post of the final chapter of Rousseau and Romanticism, “The Present Outlook,” in which Irving Babbitt concludes that, “[m]an realizes [the] immensity of his being . . . only in so far as he ceases to be the thrall of his own ego. This human breadth he achieves not by throwing off but by taking on limitations, and what he limits is above all his imagination. ”
(Pictured: Dante.) I am happy to present the first post of the final chapter of Rousseau and Romanticism, “The Present Outlook,” in which Irving Babbitt concludes that, “[m]an realizes [the] immensity of his being...
(Pictured: Faust and Mephistopheles.) I am happy to present the seventh, and final, post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being...
(Pictured: George Sand.) I am happy to present the sixth post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and hyperaesthetic,...
(Pictured: Huysmans.) I am happy to present the fourth post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and hyperaesthetic, by...
(Pictured: Plotinus.) I am happy to present the third post of Chapter VII of Rousseau and Romanticism, “Romantic Irony,” by which the romantics stand aloof from what they consider mere rationalism and philistinism. In...
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