The New Laokoon (Part 20)
I am happy to present the twentieth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the twentieth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the eighteenth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
(Pictured: Alfred de Vigny.) I am happy to present the fifth post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and...
(Pictured: Barbey d’Aurevilly.) I am happy to present the third post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and hyperaesthetic,...
(Pictured: Chateaubriand.) I am happy to present the second post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and hyperaesthetic, by...
(Pictured: Pindar.) I am happy to present the first post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and hyperaesthetic, by...
(Pictured: Wordsworth.) I am happy to present the third post of Chapter VIII of Rousseau and Romanticism, “Romanticism and Nature,” in which Irving Babbitt treats of the idolatry of outer nature, conceived as a...
(Pictured: Salvator Rosa.) I am happy to present the second post of Chapter VIII of Rousseau and Romanticism, “Romanticism and Nature,” in which Irving Babbitt treats of the idolatry of outer nature, conceived as...
(Pictured: Saint Augustine of Hippo.) I am happy to present the second post of Chapter VII of Rousseau and Romanticism, “Romantic Irony,” by which the romantics stand aloof from what they consider mere rationalism...
(Pictured: Antigone.) I am happy to present the second post of Chapter VI of Rousseau and Romanticism, “Romantic Love,” in which Irving Babbitt shows that the romantic lover’s “ever-fleeting” object of desire only turns...
Recent Comments