The New Laokoon (Part 30)
I am happy to present the thirtieth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the thirtieth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
(Pictured: Boileau.) I am happy to present the fifth post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the model...
(Pictured: Goethe.) I am happy to present the second post of the final chapter of Rousseau and Romanticism, “The Present Outlook,” in which Irving Babbitt concludes that, “[m]an realizes [the] immensity of his being...
(Pictured: Dante.) I am happy to present the first post of the final chapter of Rousseau and Romanticism, “The Present Outlook,” in which Irving Babbitt concludes that, “[m]an realizes [the] immensity of his being...
(Pictured: Plotinus.) I am happy to present the third post of Chapter VII of Rousseau and Romanticism, “Romantic Irony,” by which the romantics stand aloof from what they consider mere rationalism and philistinism. In...
Babbitt shows that the romantic lover’s “ever-fleeting” object of desire only turns out in the end to be the lover himself in disguise.
(Pictured: Antigone.) I am happy to present the tenth (and penultimate) post of Chapter IV of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced to...
(Pictured: Jean de la Fontaine) I am happy to present the first post of Chapter III of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced...
I am happy to present the second post of Chapter II of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced to perhaps the most thoroughgoing...
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