The New Laokoon (Part 16)
I am happy to present the sixteenth post (Word Painting, con’t) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the sixteenth post (Word Painting, con’t) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
(Pictured: Percy Bysshe Shelley) Having presented the entirety of Irving Babbit’s Rousseau and Romanticism over the course of nearly three years, I believe that selections from the critical works of P. E. More, Babbitt’s...
I am happy to present the fourth post of Chapter VIII of “Rousseau and Romanticism,” “Romanticism and Nature,” in which Irving Babbitt treats of the idolatry of outer nature, conceived as a paradise where the romanticist may live free of social convention and practice revery.
Babbitt shows that the romantic lover’s “ever-fleeting” object of desire only turns out in the end to be the lover himself in disguise.
Recent Comments