The New Laokoon (Part 15)
I am happy to present the fifteenth post (inaugurating Chapter VI) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts”.
I am happy to present the fifteenth post (inaugurating Chapter VI) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts”.
I am happy to present the thirteenth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
A man becomes un-Platonic and pseudo-mystical in direct ratio to his contempt for rationality as compared with the unconscious, the spontaneous, the instinctive.
I am happy to present the eleventh post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts,” published in 1910. This eleventh post inaugurates Chapter V: “Platonists and Pseudo-Platonists.”
I am happy to present the tenth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.” This is the final installment of Chapter IV, The Theory of Spontaneity.
Our previous post concluded Babbitt’s treatment of the neo-classical confusion of the arts; with this post we begin his treatment of the romantic confusion of the arts.
I am happy to present the seventh post of Irving Babbitt’s book “The New Laokoon,” an Essay on the Confusion of the Arts, published in 1910.
I am happy to present the sixth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts,” published in 1910.
(Pictured: Boileau.) I am happy to present the fifth post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the model...
(Pictured: Alexander Pope.) I am happy to present the third post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the...
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