The New Laokoon (Part 16)
I am happy to present the sixteenth post (Word Painting, con’t) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the sixteenth post (Word Painting, con’t) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
(Pictured: Charles Beaudelaire.) I am happy to present the fourteenth post (the brief penultimate post of Chapter V) of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published...
I am happy to present the tenth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.” This is the final installment of Chapter IV, The Theory of Spontaneity.
I am happy to present the ninth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
The fourth and concluding post of P. E. More’s essay, “Shelley,” which appears in the seventh volume of “The Shelburne Essays.”
(Pictured: Elizabeth Hitchener) We herewith present the second of the three posts comprising P. E. More’s essay, “Shelley,” which appears in the seventh volume of The Shelburne Essays. Paul Elmer More (1864-1937) was an...
(Pictured: Dante.) I am happy to present the first post of the final chapter of Rousseau and Romanticism, “The Present Outlook,” in which Irving Babbitt concludes that, “[m]an realizes [the] immensity of his being...
Having published my “Apology for Poetry” and much of chapters I, II, and V of Gilbert Murray’s great work, The Classical Tradition in Poetry, I am herewith offering the fourth and concluding post of...
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