Wordsworth (Part 3)
Having left the writings of Irving Babbitt, we are delving into the essays of Paul Elmer More. I am happy to present now the third post of More’s collection, “Shelburne Essays, Seventh Series.”
Having left the writings of Irving Babbitt, we are delving into the essays of Paul Elmer More. I am happy to present now the third post of More’s collection, “Shelburne Essays, Seventh Series.”
I am happy to present the thirty-second—and final—post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts,” published in 1910.
I am happy to present the thirty-first—the penultimate—post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the sixteenth post (Word Painting, con’t) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the sixth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts,” published in 1910.
(Pictured: Percy Bysshe Shelley) Having presented the entirety of Irving Babbit’s Rousseau and Romanticism over the course of nearly three years, I believe that selections from the critical works of P. E. More, Babbitt’s...
(Pictured: Barbey d’Aurevilly.) I am happy to present the third post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and hyperaesthetic,...
(Pictured: Pindar.) I am happy to present the first post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and hyperaesthetic, by...
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