The New Laokoon (Part 28)
(Pictured: Benedetto Croce.) I am happy to present the twenty-eighth post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the...
(Pictured: Benedetto Croce.) I am happy to present the twenty-eighth post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the...
I am happy to present the twenty-third post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.” This post concludes Chapter VI.
(Pictured: Dante.) I am happy to present the first post of the final chapter of Rousseau and Romanticism, “The Present Outlook,” in which Irving Babbitt concludes that, “[m]an realizes [the] immensity of his being...
(Pictured: Barbey d’Aurevilly.) I am happy to present the third post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and hyperaesthetic,...
I am happy to present the fourth post of Chapter VIII of “Rousseau and Romanticism,” “Romanticism and Nature,” in which Irving Babbitt treats of the idolatry of outer nature, conceived as a paradise where the romanticist may live free of social convention and practice revery.
(Pictured: Antigone.) I am happy to present the second post of Chapter VI of Rousseau and Romanticism, “Romantic Love,” in which Irving Babbitt shows that the romantic lover’s “ever-fleeting” object of desire only turns...
I am happy to present the fifth and final post of Chapter II of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced to perhaps the...
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