The New Laokoon (Part 15)
I am happy to present the fifteenth post (inaugurating Chapter VI) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts”.
I am happy to present the fifteenth post (inaugurating Chapter VI) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts”.
(Pictured: Charles Beaudelaire.) I am happy to present the fourteenth post (the brief penultimate post of Chapter V) of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published...
I am happy to present the thirteenth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
A man becomes un-Platonic and pseudo-mystical in direct ratio to his contempt for rationality as compared with the unconscious, the spontaneous, the instinctive.
I am happy to present the ninth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
Our previous post concluded Babbitt’s treatment of the neo-classical confusion of the arts; with this post we begin his treatment of the romantic confusion of the arts.
(Pictured: Percy Bysshe Shelley) Having presented the entirety of Irving Babbit’s Rousseau and Romanticism over the course of nearly three years, I believe that selections from the critical works of P. E. More, Babbitt’s...
(Pictured: Pindar.) I am happy to present the first post of Chapter IX of Rousseau and Romanticism, “Romantic Melancholy,” in which Irving Babbitt asks, “does one become happy by being nostalgic and hyperaesthetic, by...
(Pictured: Schelling.) I am happy to present the fifth post of Chapter VIII of Rousseau and Romanticism, “Romanticism and Nature,” in which Irving Babbitt treats of the idolatry of outer nature, conceived as a...
(Pictured: Boileau.) I am happy to present the first post of Chapter VIII of Rousseau and Romanticism, “Romanticism and Nature,” in which Irving Babbitt treats of the idolatry of outer nature, conceived as a...
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