The New Laokoon (Part 21)
I am happy to present the twenty-first post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.” This post inaugurates the sub-section “Programme Music.”
I am happy to present the twenty-first post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.” This post inaugurates the sub-section “Programme Music.”
I am happy to present the twentieth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
(Pictured: Rudyard Kipling.) I am happy to present the nineteenth post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the...
I am happy to present the eighteenth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
(Pictured: Victor Hugo.) I am happy to present the seventeenth post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the...
I am happy to present the sixteenth post (Word Painting, con’t) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the fifteenth post (inaugurating Chapter VI) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts”.
(Pictured: Charles Beaudelaire.) I am happy to present the fourteenth post (the brief penultimate post of Chapter V) of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published...
I am happy to present the thirteenth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
A man becomes un-Platonic and pseudo-mystical in direct ratio to his contempt for rationality as compared with the unconscious, the spontaneous, the instinctive.
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