Romantic Morality: The Real (Part 4)
“[T]o deal aesthetically with truth is an error of the first magnitude….”
“[T]o deal aesthetically with truth is an error of the first magnitude….”
(Pictured: Bismarck.) I am happy to present the second post of Chapter V, “Romantic Morality: The Real,” in which Babbitt addresses the descent of the romantics from altruistic idealism to egoistic realism, both representing...
(Pictured: Shelley.) Having provided a change of pace in the previous post with Mr. Mark Signorelli’s “Poetry and the Common Language,” we shall now return to Irving Babbitt’s great work Rousseau and Romanticism, presenting...
(Pictured: Lord Byron.) I am happy to present the eleventh (and final) post of Chapter IV of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is...
(Pictured: Antigone.) I am happy to present the tenth (and penultimate) post of Chapter IV of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced to...
(Pictured: Hector Berlioz.) I am happy to present the eighth post of Chapter IV of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced to perhaps...
(Pictured: Plato.) I am happy to present the seventh post of Chapter IV of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced to perhaps the...
(Pictured: William Blake.) I am happy to present the sixth post of Chapter IV of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced to perhaps...
(Pictured: Head of an Ass.) I am happy to present the fifth post of Chapter IV of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced...
(Pictured: Victor Hugo.) I am happy to present the fourth post of Chapter IV of Irving Babbitt’s great work Rousseau and Romanticism (first published in 1919), in which the reader is introduced to perhaps...
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