Wordsworth (Part 3)
Having left the writings of Irving Babbitt, we are delving into the essays of Paul Elmer More. I am happy to present now the third post of More’s collection, “Shelburne Essays, Seventh Series.”
Having left the writings of Irving Babbitt, we are delving into the essays of Paul Elmer More. I am happy to present now the third post of More’s collection, “Shelburne Essays, Seventh Series.”
Having left the writings of Irving Babbitt, we are delving into the essays of Paul Elmer More. I am happy to present now the second post of More’s collection, “Shelburne Essays, Seventh Series.”
I am happy to present the twenty-first post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.” This post inaugurates the sub-section “Programme Music.”
(Pictured: Charles Beaudelaire.) I am happy to present the fourteenth post (the brief penultimate post of Chapter V) of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published...
We here present the final part (Part 5) of the Introduction written by P. E. More for his translation of the “Prometheus Bound” of Aeschylus, published in 1899.
The fourth and concluding post of P. E. More’s essay, “Shelley,” which appears in the seventh volume of “The Shelburne Essays.”
(Pictured: John Milton.) We herewith present the third of the (now) four posts comprising P. E. More’s essay, “Shelley,” which appears in the seventh volume of The Shelburne Essays. Paul Elmer More (1864-1937) was an American journalist, critic, essayist, and Christian apologist.
(Pictured: Elizabeth Hitchener) We herewith present the second of the three posts comprising P. E. More’s essay, “Shelley,” which appears in the seventh volume of The Shelburne Essays. Paul Elmer More (1864-1937) was an...
(Pictured: Percy Bysshe Shelley) Having presented the entirety of Irving Babbit’s Rousseau and Romanticism over the course of nearly three years, I believe that selections from the critical works of P. E. More, Babbitt’s...
(Pictured: Irving Babbitt.) I am happy to present the sixth and final post of the final chapter of Rousseau and Romanticism, “The Present Outlook,” in which Irving Babbitt concludes that, “[m]an realizes [the] immensity...
Recent Comments