(Pictured: Alfred Lord Tennyson.) Having concluded our revised re-presentation of An Apology for Poetry, which inaugurated Tradition Restored in the summer of 2016, we are now returning to the essays of Paul Elmer More....
I thought that it might be helpful to the reader to re-publish the first three posts of Tradition Restored, which, beginning in the August of 2016, I posted as an introduction to the blog. I offer them again considerably revised.
Having left the writings of Irving Babbitt, we are delving into the essays of Paul Elmer More. I am happy to present now the third post of More’s collection, “Shelburne Essays, Seventh Series.”
Having left the writings of Irving Babbitt, we are delving into the essays of Paul Elmer More. I am happy to present now the second post of More’s collection, “Shelburne Essays, Seventh Series.”
We are now leaving the writings of Irving Babbitt and delving into the brilliant essays of Paul Elmer More. I am happy to present the first post of More’s collection, “Shelburne Essays, Seventh Series.”
I am happy to present the thirty-second—and final—post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts,” published in 1910.
I am happy to present the twenty-sixth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the twenty-fourth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.” With this post we begin Chapter VII, the concluding chapter of the book.
(Pictured: Victor Hugo.) I am happy to present the seventeenth post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the...
I am happy to present the sixteenth post (Word Painting, con’t) of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
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